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Jean Epstein

Corporeal Cinema and Film Philosophy (book in English)

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Type
Studies
Subject
Director
Keywords
Jean Epstein
Publishing date
Publisher
Manchester University Press
Collection
French Film Directors
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback272 pages • 20 €
5 x 7 ¾ inches (12.5 x 19.5 cm)
Also available as an eBook.
ISBN
978-1-78499-348-1
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Book Presentation:
If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein's pioneering film work, writings, and concepts. This book is the first in English to examine his œuvre comprehensively.

An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres - melodramas and documentaries - he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography - as photogénie - towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion.

Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.

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Note: A book on a beige background is a book published in a language other than French.

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