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Americanizing the Movies and Movie-Mad Audiences

1910-1914 (book in English)

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Type
Studies
Subject
Keywords
history of cinema, silent cinema, early cinema
Publishing date
Publisher
University of California Press
Collection
(non-series)
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback392 pages • 27 €
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-520-24743-4
978-0-520-24743-7
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Book Presentation:
This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema-both movies and movie-going-in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures-all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns-the latter of which highlight the importance of the emerging star system-Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community.

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Menus for Movieland:Newspapers and the Emergence of American Film Culture 1913-1916

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Note: A book on a beige background is a book published in a language other than French.

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