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The Deer Hunter

(book in English)

by

Type
Studies
Subject
One Film
Keywords
Michael Cimino
Publishing date
Publisher
BFI Publishing
Collection
BFI Film Classics
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback120 pages • 18 €
5 ¼ x 7 ½ inches (13.5 x 19 cm)
ISBN
978-1-83902-541-9
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Book Presentation:
Michael Cimino’s The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence.

Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film’s lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter’s formal elements were used to bolster his troubling depictions of war and race.

Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes’s Dead Presidents (1995) and Spike Lee’s Da Five Bloods (2020), Prager illuminates The Deer Hunter’s major presumptions, blind spots and omissions, while also presenting a case for its classic status.

See the

See The Deer Hunter (1978) on IMDB ...

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Note: A book on a beige background is a book published in a language other than French.

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